D. A Miller
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No filmmaker has more successfully courted mass-audience understanding than Alfred Hitchcock, and none has been studied more intensively by scholars. In Hidden Hitchcock, D. A. Miller does what seems impossible: he discovers what has remained unseen in Hitchcock's movies, a secret style that imbues his films with a radical duplicity.
Focusing on three films-Strangers on a Train, Rope, and The Wrong Man-Miller shows how Hitchcock anticipates, even...
Author
Description
The art houses and cinema clubs of his youth are gone, but the films that D. A. Miller discovered there in the 1960s and '70s are now at his fingertips. With DVDs and streaming media, technology has turned the old cinematheque's theatrical offerings into private viewings that anyone can repeat, pause, slow, and otherwise manipulate at will.
In Second Time Around, Miller seizes this opportunity; across thirteen essays, he watches digitally restored...