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1) The stranger
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Everyman's library volume 139
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When a young Algerian named Meursault kills a man, his subsequent imprisonment and trial are puzzling and absurd. The apparently amoral Meursault--who puts little stock in ideas like love and God--seems to be on trial less for his murderous actions, and more for what the authorities believe is his deficient character.
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Gayatri Chakravorty Spivak is among the foremost figures in the study of world literature and its cultural consequences of the past half-century. In this book, originally published in 2003, she declares the death of comparative literature as we know it and sounds an urgent call for a "new comparative literature," in which the discipline is reborn-one that is not appropriated and determined by the market.
Spivak examines how comparative literature...
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Theory of Mind is what enables us to "put ourselves in another's shoes." It is mindreading, empathy, creative imagination of another's perspective: in short, it is simultaneously a highly sophisticated ability and a very basic necessity for human communication. Theory of Mind is central to such commercial endeavors as market research and product development, but it is also just as important in maintaining human relations over a cup of coffee. Not...
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Esta obra es una de las investigaciones de punta en el campo de las ciencias del lenguaje. Comprende tres partes: la primera, dedicada a la gramática tensiva; la segunda, consagrada al análisis de un texto literario; la tercera presenta un glosario, útil para profesionales y estudiantes de las comunicaciones, las ciencias sociales, la literatura, las ciencias humanas y las artes plásticas.
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In this outstanding book, Susan Strehle argues that a new fiction has developed from the influence of modern physics. She calls this new fiction actualism, and within that framework she offers a critical analysis of major novels by Thomas Pynchon, Robert Coover, William Gaddis, John Barth, Margaret Atwood, and Donald Barthelme. According to Strehle, the actualists balance attention to questions of art with an engaged meditation on the external,...
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Examines the increasingly prevalent assumption that postmodernism is over and that literature and film are once again engaging sincerely with issues of ethics and politics.
The Passing of Postmodernism addresses the increasingly prevalent assumption that a period marked by poststructuralism and metafiction has passed and that literature and film are once again engaging sincerely with issues of ethics and politics. In discussions of various twentieth-...
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As a city that seems to float between Europe and Asia, removed by a lagoon from the tempos of terra firma, Venice has long seduced the Western imagination. Since the 1797 fall of the Venetian Republic, fantasies about the sinking city have engendered an elaborate series of romantic clichés, provoking modern artists and intellectuals to construct conflicting responses: some embrace the resistance to modernity manifest in Venice's labyrinthine premodern...
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Marjorie Garber is William R. Kenan, Jr. Professor of English at Harvard University and Director of Harvard's Humanities Center in the Faculty of Arts and Sciences. The author of ten books, most recently Quotation Marks and The Medusa Reader, she is also the editor of many collections of essays and a regular contributor to the New York Times, the Atlantic Monthly, and other publications.
In this lively and provocative book, cultural critic Marjorie...
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Focusing primarily on the work of Samuel Beckett, Toni Morrison, Wole Soyinka, and J. M. Coetzee, Ato Quayson launches a thoroughly cross-cultural, interdisciplinary study of the representation of physical disability. Quayson suggests that the subliminal unease and moral panic invoked by the disabled is refracted within the structures of literature and literary discourse itself, a crisis he terms "aesthetic nervousness." The disabled reminds the able-bodied...
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George Steiner's essential tome on linguistics, hailed by the New York Times as a "dazzling inquiry into the possibility of translation" In his classic work, literary critic and scholar George Steiner tackles what he considers the Babel "problem": Why, over the course of history, have humans developed thousands of different languages when the social, material, and economic advantages of a single tongue are obvious? Steiner argues that different cultures'...
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"Winner of the 2016 Dorothy Lee Award for Outstanding Scholarship in the Ecology of Culture, Media Ecology Association" "Winner of the 2015 James Russell Lowell Prize, Modern Language Association" "One of Flavorwire's 10 Best Books by Academic Publishers in 2015" Caroline Levine is David and Kathleen Ryan Professor of the Humanities at Cornell University. She is the author of The Serious Pleasures of Suspense and Provoking Democracy.
A radically...
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By investigating the relationship between acoustical technologies and twentieth-century experimental poetics, this collection, with an accompanying compact disc, aims to 'turn up the volume' on printed works and rethink the way we read, hear, and talk about literary texts composed after telephones, phonographs, radios, loudspeakers, microphones, and tape recorders became facts of everyday life.
The collection's twelve essays focus on earplay in...
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En este libro Irene Artigas Albarelli, anteponiendo a la visión de los primeros analistas del relato que buscaban encontrar la "estructura de todos los relatos", la noción de lo escribible, la cual "está emparentada con, lo literario, lo que sólo podemos atisbar", nos lleva por un recorrido ecfrástico (de ecfrasis: ek [afuera] y phrasein [decir, declarar, pronunciar]) en el que demuestra de una manera práctica la profunda relación entre la...
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The format of this book is arbitrary and exact, the way paint is in a landscape by Alex Colville. It follows the program of the symposium that took place at the University of Ottawa, from April 25 to 27, 1986.
As Bakhtin leaps from the sidelines to centre stage, as Derrida clambers out of orchestra pit into the prompter's box, and Lancan swings from the flies, as Foucault, Lévi-Strauss, Saussure, Barthes, and a throng of others rhubarb their way...
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In the romantic tradition, music is consistently associated with madness, either as cause or cure. Writers as diverse as Kleist, Hoffmann, and Nietzsche articulated this theme, which in fact reaches back to classical antiquity and continues to resonate in the modern imagination. What John Hamilton investigates in this study is the way literary, philosophical, and psychological treatments of music and madness challenge the limits of representation...
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Early in Grammars of Creation, George Steiner references Plato's maxim that in "all things natural and human, the origin is the most excellent." Creation, he argues, is linguistically fundamental in theology, philosophy, art, music, literature-central, in fact, to our very humanity. Since the Holocaust, however, art has shown a tendency to linger on endings-on sundown instead of sunrise. Asserting that every use of the future tense of the verb "to...
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Is there life after postmodernism? Many claim that it sounded the death knell for history, art, ideology, science, possibly all of Western philosophy, and certainly for the concept of reality itself. Responding to essential questions regarding whether the humanities can remain politically and academically relevant amid this twenty-first-century uncertainty, Why the Humanities Matter offers a guided tour of the modern condition, calling upon thinkers...
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Through readings of iconic figures such as the cannibal, the child, the alien, and the posthuman, Gabriele Schwab unpacks literary explorations at the boundaries of the human. Treating literature as a dynamic process that "writes culture," makes the abstract particular and local, and situates us within the world, she pioneers a compelling approach to analyzing literary texts and their production of meaning, knowledge, and society. Schwab's interdisciplinary...
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In Critical Children, Richard Locke follows child characters in classic novels for adults and their use in exploring or evading social, psychological, and moral problems. Moving from Dickens's Oliver Twist, David Copperfield, and Pip in Great Expectations to Mark Twain's Tom Sawyer and Huckleberry Finn; from Henry James's Miles and Flora in The Turn of the Screw to J. M. Barrie's Peter Pan and his modern American descendent, J. D. Salinger's Holden...
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Bringing together leading critics and literary scholars, A New Vocabulary for Global Modernism argues for new ways of understanding the nature and development of twentieth-century literature and culture. Scholars have largely understood modernism as an American and European phenomenon. Those parameters have expanded in recent decades, but the incorporation of multiple origins and influences has often been tied to older conceptual frameworks that make...
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